Saturday, October 24, 2009

Describing a Unique Martial Art

By Sven Person

Taido is a martial art created in Japan by Seiken Shukumine. 

Taido has its foundations in classical Okinawan Karate.

Fearing that Budo, particularly karate, were failing to meet the needs of modern society, Shukumine founded a school of Budo called Genseiryu in the early 1950s. 

Later, Shukumine saw karate as uninspired and unchanging. He became convinced that the limitations of karate lay in its linearity.

In 1964, he expanded his theories of motion beyond the boundaries of karate and founded Taido. 

Shukumine thought about how to make techniques more adaptable and universal.

Taido's movements offered many innovations: the addition of spinning and twisting movements, acrobatic maneuvers, fast and effective footwork, and a changing body angle. The word Taido translates as "way of the body." 



So what makes Taido unique? Taido techniques make use of changes of the body's bearing in order to allow simultaneous defense and attacking techniques. Taido also relies on the use of footwork to take advantageous angles and distance to the opponent. This footwork is functionally connected to the body mechanics that form the basis of each kick, punch, or other technique. Taido uses exciting body movement to create powerful strikes and control the spatial relationship with the opponent. 

Taido's strategic element is based on creative reaction to dynamic challenges rather than preset patterns of aggression and defense. Taido's movements are also designed for improving health and longevity.



Taido's original purpose was, and continues to be, the use of scientific pragmatism and classical values to the evolution of the martial arts. According to its creator, Taido's ultimate objective is to enable its students to function at a high level in society. 





There are five main principles in Taido. Keep your thoughts as clear and uncluttered as the polished surface of a still pond. This allows you to understand the heart of things. Having a responsive attitude will allow you to make the best decisions. Be well-prepared. Body and mind should be united. Bear yourself with dignity and you need never fear insult. Invigorate your spirit with proper breathing methods. With the right spirit you will never be threatened. In every action, follow the correct precepts you have trained. By doing so, you react quickly. Be adaptable in your thought and keep freedom of physical movement. The right technique will prevent you from being defeated.



Taido employs five classes of body movements: vertical spinning movement, ascending and descending jumping movement, see-saw movement characterized by tilting the body's axis, horizontal spinning movement, and acrobatic movements. 

These movements are combined with punches, kicks, and other techniques. The last category, called "tentai," includes gymnastic movements, for instance back-flips, which makes Taido exciting to watch.

Taido has a special method of footwork, known as unsoku, and acrobatic locomotion, termed unshin. 

Tournaments in Taido include Jissen, forms, and Tenkai, which is a mock combat between one "hero" and five opponents. In Tenkai the judges give scores to the teams in a similar manner as is done in many Olympic sports.



Even after this explanation, unless you've actually experienced Taido, you likely still won't have any solid idea of what Taido is about. Also, merely watching the techniques doesn't tell you what Taido is intended for. To truly understand any budo, you must get an idea of why the techniques are developed as they are. 



Of course, Taido is an evolving martial art, so no definition can really encompass all that Taido is. Everyone eventually develops their own ways to apply Taido to what they do and how they move. Taido itself emphasizes creativity and the development of new techniques.

It is not a martial art that will remain the same for long. 

Taido is currently practiced in Japan, Sweden, Finland, Portugal, Denmark, France, Great Britain, the Netherlands, Australia, and the USA.

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